Semester II
Compulsory Papers:
Paper V
Literary Movements –II
Unit I Realism
1. Ian Watt, ―Realism and the Novel Form‖, The Rise of the Novel, (University of California Press, 2001) 11-36.
2.George Eliot, Chapter 17, Adam Bede, Volume 3,(William Blackwood and Sons, 1859) 223- 244.
Unit II Modernism
1. Malcolm Bradbury and James McFarlane, ―The Name and Nature of Modernism‖ from Modernism: A Guide to European Literature 1890- 1930, ed. By Malcolm Bradbury and James McFarlane (Penguin, 1976), 19-35
2. Ezra Pound, ―A Few Don‘ts by an Imagiste‖, https://www.poetryfoundation.org/poetrymagazine/articles/58900/a-fewdonts-by-an- imagiste
Unit III Postmodernism
1. Linda Hutcheon, ―Theorizing the Postmodern: Toward a Poetics‖, A Poetics of Postmodernism: History, Theory, Fiction (Routledge, London & New York, 1988) 3-21.
2. Ihab Hassan, ―Toward a Concept of Postmodernism‖, The Postmodern Turn (Ohio: Ohio State University Press, 1987) 1-10.
3. Borges, Jorge Luis. "The Library of Babel", Collected Fictions. Trans. Andrew Hurley (New York: Penguin, 1998) 112-118.
Unit IV Postcolonialism
1. Bill Ashcroft, Gareth Griffiths, Helen Tiffin. Eds. ―Introduction‖ to The Empire Writes Back (Routledge: London & New York, 1991) 2002, 2 nd Ed. 1-13.
2. Ngugi wa Thiong‘o ,‖The Language of African Literature‖, Decolonizing the Mind: The Politics of Language in African Literature (Harare: Zimbabwe Publishing House, 1987) 1994 rpt. 3-33.
Unit V Debating ‘Periodization’ in History
1. Ted Underwood, ―The Disciplinary Rationale for Periodization and a Forgotten Challenge to It (1886–1949)‖, Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies (Stanford & California: Stanford University Press, 2013) 114-135.
2. Eric Hayot, ―Against Periodization; or, On Institutional Time‖, New Literary History, Vol. 42, No. 4, (Autumn 2011), 739-754
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Paper VI
Approaches to Literary Criticism – II
Unit I
1. Andrew Bennett and Nicholas Royle,―The beginning,‖ ―Readers and reading,‖ ―The author,‖ and ―The text and the world‖, An Introduction to Literature, Criticism and Theory (Pearson Longman, 2004, 3 rd Edition) Chapters 1-4 (1- 33).
Unit II
1. Terry Eagleton, ―Literature and History‖, Marxism and Literary Criticism (London & New York: Routledge: 1976), 1-9.
Unit III
1. Wilfred L. Guerin et al, eds., ―Feminism and Gender Studies (I, II, III, IVA, IVB, V)‖ A Handbook of Critical Approaches to Literature (Oxford: OUP, 2005) 5th Ed.
2. Charlotte Krolokke and Ann Scott Sorensen, ―Three Waves of Feminism: From Suffragettes to Grrls‖, Gender Communication Theory and Analyses: From Silence to Performance (Thousand Oaks, London & New Delhi: SAGE, 2006) 1-24.
Unit IV
1. Chapter 9 of Wilfred Guerin‘s Handbook: Cultural Studies (I, II, IIIA, IIIB)
2. Stuart Hall, ―The Formation of Cultural Studies‖, Cultural Studies 1983: A Theoretical History (Durham & London: Duke University Press, 2016) 5-24.
Unit V
1. Chapter 10 of Wilfred Guerin‘s Handbook: The Play of Meanings (I, II, III)
2. Umberto Eco, ―The Open Work‖, The Open Work, trans. Anna Cancogni (Cambridge & Massachusetts: Harvard University Press, 1989) 1-23.
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Paper VII
British Literature – III
UnitI 1.
1.Robert Browning, ―Grammarian‘s Funeral‖ & ―The Last Ride Together‖, The Poems of Robert Browning (Wordsworth, 1994).
2. Alfred Lord Tennyson, ―Defense of Lucknow‖, ―The Higher Pantheism‖
[available online
Unit V
1. Bram Stoker, Dracula (Wordsworth Classics, 2000).
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